English Literature The Kite Runner Coursework (First Draft) Look at pages 252254. Discuss how Hussein’s style is used to present key the mess, and is it typical of the novel as a whole? Chapter 22 of The Kite Runner could be considered one of the pivotal sections , as Hussein both directly and indirectly addresses most of the prominent, key themes inch duded in the novel. The use of narrative devices is broad, using a range of techniques such foreshadowing, metaphors, symbolism, and literary perspectives such as the historical, in order to present the brutality of power.

In this extract, Emir finally faces his “past of unattended sins” in the form of Ass fee the most obvious antagonist who now adopts the role of a domineering Taliban official . Hussein uses foreshadowing of key events in order to create a sense of dramatic irony. The mention of a coffee table appears to be just detailed description by Hussein, however its p repose is to provide suspense to the section. Due to specific details of the ‘Hallucinates BRB ass balls”, it foreshadows the forthcoming event by introducing the ammunition that will b e used by Sahara o attack Safes.

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The reference to “brass” also echoes Assets brass knuckles, a symbol used by Hussein to highlight his brutal nature and his violent tendencies; the fear a alongside is overarching, as we accompany the thought of “brass” with violence or harm. A another use of foreshadowing is apparent in the extract, as Emir explicitly states that he was unaware that a grape would be ‘the last bit of food I would eat for a long time”. This explicit, d accelerative sentence allows the reader to anticipate the menacing, imminent confrontation n.

The theme of lenience is almost always partnered with Safes or the Taliban, such as Hosannas’ s rape, the altercation alongside Assets initial introduction, and the death of Hosannas. As a consequence, the reader develops an awareness of the connection between the ;o, and As safe assumes the role of a symbol of the violent themes apparent in the novel. Earlier foreshadowing is recalled in this extract, for example, Hessian’s threat upon Safes is completed in this extract by his son: Sahara. Also, Safest threat to initiate rev Eng on Emir and Hosannas is completed, as Safes finally acquires the opportunity to do so in his section.

As Emir discovers the Taliban official he must meet with in order to save Sahara is actually Safes, this seemingly unrealistic coincidence is deliberate at providing Hussein I the premise for a major theme in the novel: closure. The theme of closure is vital to the no vela, as bloodcurdling, the novel provides opportunity for growth and development of the characters and themes. The aforementioned ‘deliberate coincidence’ prompts the though HTH Of completion, as it provides Emir with “a way to be good again”, the much much sought ‘fate rethought’ of Ihram Khan.

This extract could be considered the climactic point of the novel, as the concept of closure is finally apparent. This extract allows opportunity for Hussein to provide a historical perspective of literature, as a reference to the 1998 Massacre of Hazard civilians in Mozzarella’s is used to allow a contextual link in the novel, and enforce the key theme of brutality. Safes stats sees; “you should have been with me in Mazda. August 1 998, that was. ” Safes acts as a Taliban s postman, he advocates that the Taliban view on life is correct, and that exercising the will o authority at the expense of minority is an acceptable form of domination.

Safes seems to did alike the term ‘ethnic cleansing, which relates to the actions of the Taliban during the specific c incident. This reference allows the aspect of brutality to become comprehensive, as it ape ears to overshadow the current scenario. A savage attitude towards life is evident thru cough Safes, as he disregards the effect of his actions, and adopts an ignorant standpoint due to his hierarchical position. This is evident in the build up to chapter twenty.

Chaw peter twenty gaslights Safest aggressive and merciless persona, as he publicly stones a m an and woman supposedly in the name of a higher power, Safes states: “When adulate errs throw stones at the house of God, we must answer by throwing stones back”. This m manipulation of religious belief identifies Safes as a brutal, remorseless suppressor. Hussein utilizes the extract in order to provide a Postcolonial perspective o f literature, the concept which examines the presentation of cultural identity in a colonized co entry, and its efforts to reclaim its traditional heritage.

In the extract Hussein provides Ease f With an extremely significant description. Described as “the tall Taliban in white, still wee ring his dark John Lennox glasses. A broadsheet’s New Age mystic guru. ” This single De ascription is metaphorical of colonization as a whole. The fact that Safes a man whose Egger man roots are exemplified by his perplexing adoration of Hitler is said to adopt the personal style off highly captivating inspiring and greatly influential western individual highlights his d emerging position over not just Emir, but the rest of Afghanistan under his current title s Taliban official.

At a later Stage Of chapter twenty, Hussein implicitly reveals that S Arab has been the victim of sexual abuse whilst under the custody of Safes. Emir states that, “his hands slid down the child’s back, then up, felt under his armpits”. The use of the word d ‘slid’ here is deliberate at producing negative connotations; the onomatopoeic qualities of the verb enforce the association with snakes and other reptiles, implying evil traits to Safes. The e idea of Safes being the one to sexually abuse and take advantage of two Hazard children within the novel

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